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Allison de Groot & Tatiana Hargreaves

All Ages
Allison de Groot
Friday, July 18
Doors | 7:30pm // Show | 8pm
$21.55

Allison de Groot & Tatiana Hargreaves have been described as “one living, breathing organism”(Bandcamp Daily), with their music “transform[ing] the listener to a different plane” (No Depression). Their sound together captivates listeners through intricate and interactive dynamics between the banjo and the fiddle. They are individually recognized as leaders in the young generation of roots musicians, de Groot being known for intricate clawhammer banjo work with Bruce Molsky, and Hargreaves bringing powerhouse fiddling to the stage with Laurie Lewis and David Rawlings in addition to teaching bluegrass fiddle at UNC-Chapel Hill. The duo’s 2022 sophomore album, Hurricane Clarice reflects history, family, literature, live performance, and environmental instability in the sounds, feelings, and sensations that permeate their music. The album won “Best Instrumental Group of the Year” and “Best Traditional Album of the Year” from the Canadian Folk Music Awards and also received a Juno nomination for “Traditional Roots Album of the Year.”

Their first self-titled album released in 2019 garnered attention from CBC Q, Paste Magazine and Rolling Stone Country, earning the duo the Independent Music Awards “Best Bluegrass Album” and a nomination from IBMA for “Best Liner Notes of the Year.” The duo has performed at festivals and venues such as Newport Folk Festival, Savannah Music Festival, Winnipeg Folk Festival, the Red Hat Amphitheater in Raleigh, NC, and Red Wing Roots Music Festival. Allison de Groot & Tatiana Hargreaves create a sound that is adventurous, masterful, and original, as they expand on the eccentricities of old songs, while never losing sight of what makes them endure.

***THIS SHOW IS IN THE THEATER, WHICH IS ON THE 2ND FLOOR & ACCESSIBLE ONLY BY STAIRS. We would love nothing more than to be able to welcome every human into the theater and are working really hard to have an elevator built in the near future.***

 

Allison de Groot combines love and passion for old-time music, technical skill and a creative approach to the banjo forming her own sound – unique and full of personality. Although firmly rooted in the old-time music genre, Allison has proved her ability to collaborate and create in a variety of genres.

Allison playing has taken her all over the world performing at venues such as Newport Folk Festival, Trafalgar Square in London, Stockholm Folk Festival and mainstage slots at the Winnipeg Folk Festival, Tønder Festival and Vancouver Folk Festival.

In 2012, Allison was awarded the Slaight Family Scholarship to attend Berklee College of Music in Boston, MA. where she received a performance degree on clawhammer banjo.

Current Projects:
Molsky's Mountain Drifters: http://www.brucemolsky.com/molsky-s-mountain-drifters
The Goodbye Girls:
http://www.thegoodbyegirlsmusic.com/
Nic Gareiss, Jack Devereux & Allison de Groot

Over the past eight years, Tatiana Hargreaves has been on the forefront of an up and coming generation of old time, bluegrass and new acoustic musicians. Since releasing her first solo album “Started Out To Ramble” in 2009, Tatiana has toured with musicians such as Dave Rawlings, Gillian Welch, Laurie Lewis, Darol Anger, and Bruce Molsky. From being the second woman to place first at the Clifftop Appalachian Fiddle Contest, to her bluegrass fiddling on Laurie Lewis’ GRAMMY-nominated album The Hazel And Alice Sessions, Hargreaves shows a musical fluency that flows between old time and bluegrass worlds with ease.

After touring as a member of Laurie Lewis & the Right Hands and finishing her degree at Hampshire College, Tatiana now makes her home in Durham, North Carolina where she is spending time with Alice Gerrard. Her most recent project with clawhammer banjo innovator Allison de Groot (Molsky’s Mountain Drifters) is set to record in April 2018. Tatiana also teaches and performs locally and hosts the monthly Pinecone youth bluegrass jam in Raleigh.

Tatiana dedicates herself to learning about the history and culture of music and respecting traditional old time and bluegrass while simultaneously seeking her own voice and exploring new ways of approaching these styles. This comes across in her educating and performing, engaging the audience with the very questions she contemplates about tradition, innovation, and positionality.

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